<?xml version="1.0" encoding="UTF-8"?>
<rss xmlns:dc="http://purl.org/dc/elements/1.1/" version="2.0"><channel><atom:link rel="hub" href="http://tumblr.superfeedr.com/" xmlns:atom="http://www.w3.org/2005/Atom"/><description>With nearly 35 years in business, Ottawa’s Galerie St-Laurent + Hill represents some of Canada’s finest established and up-and-coming contemporary artists</description><title>GALERIE ST-LAURENT + HILL {blog}</title><generator>Tumblr (3.0; @galeriestlaurentplushill)</generator><link>http://galeriestlaurentplushill.tumblr.com/</link><item><title>Only 3 more days of Isabelle Gauvreau!</title><description>&lt;p&gt;We&amp;#8217;ve had a great turnout over the past 11 days for our Isabelle Gauvreau exhibition. We encourage those of you who have not yet visited to come by &lt;a href="http://galeriestlaurentplushill.com/info" title="GSTL address" target="_blank"&gt;293 Dalhousie Street, Ottawa&lt;/a&gt; to see the beautiful symbolic &amp;amp; figurative work of this vibrant artist. &lt;a href="http://galeriestlaurentplushill.com/" title="Isabelle Gauvreau at GSTL" target="_blank"&gt;&lt;img src="http://media.tumblr.com/tumblr_lzcduq4RNd1r2apgs.jpg"/&gt;&lt;/a&gt;&lt;/p&gt;</description><link>http://galeriestlaurentplushill.tumblr.com/post/17556924560</link><guid>http://galeriestlaurentplushill.tumblr.com/post/17556924560</guid><pubDate>Mon, 13 Feb 2012 12:29:00 -0500</pubDate><category>exhibition</category><category>gauvreau</category><category>figurative</category><category>art</category><category>painting</category></item><item><title>We’ve recently received new works by Montreal artist, Nina...</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_lwbb39QpBy1r67w7io1_500.jpg"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://25.media.tumblr.com/tumblr_lwbb39QpBy1r67w7io2_500.jpg"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://24.media.tumblr.com/tumblr_lwbb39QpBy1r67w7io3_500.jpg"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://25.media.tumblr.com/tumblr_lwbb39QpBy1r67w7io4_500.jpg"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;p&gt;We’ve recently received new works by Montreal artist, Nina Cherney. Nina’s bright palettes, refined technique, and subject matter make her a favorite amongst many of our guests at Gallery St-Laurent plus Hill. We invite you to visit us at 293 Dalhousie St. in Ottawa’s Byward Market to see these works for yourself, or to browse our 150+ local artist roster.&lt;/p&gt;
&lt;p&gt;(From the artist’s website) -&lt;/p&gt;
&lt;div id="aboutCont"&gt;
&lt;p&gt;“Nina Cherney works in acrylic. For the past 10 years,  she have been creating abstracted still-lifes that reflect her sense of  joy and fun. Her work is about celebration, inspired by our daily  routines. The wonky perspectives and shapes and vivid colours mirror the  mostly happy chaos of our daily lives.&lt;/p&gt;
&lt;p&gt;Her latest series are of landscapes in which she aims  to capture a particular moment, a moment where natural beauty  overwhelms us. The large scale and thick layers of paint are intended to  translate this awe and joy. The colours are vivid and intense, forcing  the viewer to react.”&lt;/p&gt;
&lt;/div&gt;</description><link>http://galeriestlaurentplushill.tumblr.com/post/14318191032</link><guid>http://galeriestlaurentplushill.tumblr.com/post/14318191032</guid><pubDate>Fri, 16 Dec 2011 14:49:54 -0500</pubDate><category>painting</category><category>artist</category><category>cherney</category><category>impressionist</category><category>landscape</category><category>woods</category><category>trees</category></item><item><title>8 New Artists</title><description>&lt;p&gt;Gallery St-Laurent + Hill is pleased to welcome 8 talented new artists to our ever expanding roster. We invite you to scroll below to see more, and to visit us at 293 Dalhousie St. in Ottawa&amp;#8230;&lt;/p&gt;
&lt;p&gt;&lt;img src="http://media.tumblr.com/tumblr_lukgccTEb11r2apgs.jpg"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Michel Harvey&lt;/strong&gt; (Montreal)&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Homme à tête de clou&lt;/strong&gt; - Nails, Street Trash, Recycled Paint + Wood - &lt;em&gt;2011&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Born in Quebec City, Michel settled in Montreal where he studied fine arts at the University of Québec a Montreal (UQAM). For many years, clay was his material of choice. For the past two  years, he has passionately devoted himself to creating works of art that have received attention from art critics and the public alike.&lt;/span&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p class="MsoNormal"&gt;&lt;br/&gt;&lt;em&gt;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;-&lt;/em&gt;&lt;/p&gt;
&lt;p class="MsoNormal"&gt;&lt;em&gt;&lt;img src="http://media.tumblr.com/tumblr_luvb5r4sNq1r2apgs.jpg"/&gt;&lt;/em&gt;&lt;/p&gt;
&lt;p class="MsoNormal"&gt;&lt;strong&gt;Geneviève Thauvette&lt;/strong&gt;&lt;/p&gt;
&lt;p class="MsoNormal"&gt;&lt;strong&gt;Funerailles&lt;/strong&gt; - 30x20&amp;#8221;. Hand-tinted digital c-print, 2009&lt;/p&gt;
&lt;p&gt;Genevieve Thauvette is an Ottawa-based creative photographer. Her notable works include &amp;#8220;The Dionne Quintuplets&amp;#8221; (2009)&lt;sup class="reference" id="cite_ref-0"&gt;&lt;span&gt; &lt;/span&gt;&lt;span&gt; &lt;/span&gt;&lt;/sup&gt; and &amp;#8220;Beheld: Iconic Self-Portraits.&amp;#8221;(2008). Thauvette is also the recipient of the Gold Medal at the 2009 Jeux de la Francophonie, Lebanon, in the photography category.&lt;sup class="reference" id="cite_ref-2"&gt;&lt;span&gt; &lt;/span&gt;&lt;span&gt; &lt;/span&gt;&lt;/sup&gt; She currently resides in Ottawa.&lt;/p&gt;
&lt;p&gt;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;-&lt;/p&gt;
&lt;p&gt;&lt;img src="http://media.tumblr.com/tumblr_luvc1bkGJN1r2apgs.jpg"/&gt;&lt;/p&gt;
&lt;p id="internal-source-marker_0.04582090188082322"&gt;&lt;strong&gt;&lt;span&gt;Eryn O&amp;#8217;Neill&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;DomusCafe -&lt;/strong&gt; 24&amp;#8221; x 48&amp;#8221;, Oil on Canvas - 2011&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Artist&amp;#8217;s Statement: &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;For  the past few years my work has been primarily based on architectural  and industrial sites. I have explored a variety of places ranging from  more heavily industrial locations including oil refineries, cargo ship  ports, and construction sites to more architectural such as suburban  housing developments and city storefronts. Common elements in the works  are a minimal use of recognizable objects and landmarks as well as a  lack of actual people in predominantly man-made structural settings. It  allows the viewer to interpret the pieces from their own perspective,  while still remaining an inactive participant.&lt;/span&gt;&lt;span&gt; &lt;br/&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;I currently work as a full-time artist in Ottawa where I maintain a studio space in the city. &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;&lt;img src="http://media.tumblr.com/tumblr_luvc7t51un1r2apgs.jpg"/&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;span&gt;Sarah Hatton&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Shore 1&lt;/strong&gt;. Oil and resin on panel, 30&amp;#8221; x 48&amp;#8221;  2011&lt;/p&gt;
&lt;p&gt;&lt;span id="internal-source-marker_0.38422054644087467"&gt;Artist&amp;#8217;s Statement:&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span id="internal-source-marker_0.38422054644087467"&gt;There cannot be a sense of longing without loss.&lt;/span&gt;&lt;br/&gt;&lt;span&gt; &lt;/span&gt;&lt;br/&gt;&lt;span&gt;These  paintings are my mental snapshots of a place in time.  As soon as the  moment becomes past tense, it imprints itself in my mind as black and  white: certainty. From that point on, the moment erodes, degrades, grey  areas infiltrate and memory kicks in.  Extremes stay at the surface, but  colors lose their vividness, perspectives are altered and cropped, and  details fade, or are edited away. &lt;/span&gt;&lt;br/&gt;&lt;span&gt; &lt;/span&gt;&lt;br/&gt;&lt;span&gt;Like  a remembered conversation, I fill in the missing spaces, disregard the  parts that don’t meet my present needs and construct an entity that  feels comfortable, like home.&lt;/span&gt;&lt;br/&gt;&lt;span&gt; &lt;/span&gt;&lt;br/&gt;&lt;span&gt;There  cannot be a sense of longing without loss, whether for a place or  person that can never be recaptured in time. These paintings preserve a  tension between the sweetness of being in the moment, and a raw sense of  longing for what it used to be.  &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;&lt;img src="http://media.tumblr.com/tumblr_luvchmTx6E1r2apgs.jpg"/&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="MsoNormal"&gt;&lt;strong&gt;&lt;span&gt;Susan Szenes&lt;/span&gt;&lt;span&gt; &lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p class="MsoNormal"&gt;&lt;span&gt;&lt;strong&gt;Send Name and Address&lt;/strong&gt; - 45&amp;#8221; x 45&amp;#8221; - Mixed Media on Panel, 2011&lt;/span&gt;&lt;/p&gt;
&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;strong&gt;&lt;em&gt;&lt;span&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;
&lt;p class="MsoNormal"&gt;Susan &lt;span class="il"&gt;Szenes&lt;/span&gt; is a Toronto artist, who grew up in the suburbs of Willowdale, escaped  with friends to endless after school travels through the parks,  playgrounds and ravines of her neighbourhood. Susan&amp;#8217;s early years were  fascinated with comics, cars, music and punk culture, she transitioned  into a high school student experimenting with collage and old-school  style cut and paste zines. Susan&amp;#8217;s earliest influence was her dad,  Andras &lt;span class="il"&gt;Szenes&lt;/span&gt;, who gave her the introduction to  tools and recycling materials. Father and daughter often working huddled  together in the suburban garage, refurbishing brass fittings as he  relayed his stories.&lt;/p&gt;
&lt;div&gt;&lt;/div&gt;
&lt;div&gt;&lt;span class="il"&gt;Szenes&lt;/span&gt;&amp;#8217;  career has progressed with exhibitions in New York, San Francisco,  Ottawa, Montreal, Halifax and Toronto. Her work has been appropriately  selected for the cover of Coach House Books’ publication Utopia: State  of the Arts, as well in the collections of the City of Toronto and the  Toronto Pearson International Airport.&lt;/div&gt;
&lt;strong&gt;&lt;em&gt;&lt;span&gt;&lt;span&gt;
&lt;div&gt;
&lt;p class="MsoNormal"&gt;&lt;span&gt;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&lt;/span&gt;&lt;/p&gt;
&lt;p class="MsoNormal"&gt;&lt;span&gt;&lt;img src="http://media.tumblr.com/tumblr_luvcosNGAb1r2apgs.jpg"/&gt;&lt;/span&gt;&lt;/p&gt;
&lt;/div&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;span&gt;&lt;span&gt;
&lt;div&gt;

&lt;p class="MsoNormal"&gt;&lt;strong&gt;&lt;span&gt;Julie Liger-Belair&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;/div&gt;
&lt;/span&gt;&lt;/span&gt;&lt;strong&gt;&lt;em&gt;&lt;span&gt;&lt;span&gt;
&lt;div&gt;&lt;/div&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;span&gt;&lt;span&gt;
&lt;div&gt;
&lt;p class="MsoNormal"&gt;&lt;span&gt;&lt;strong&gt;Divine Twins&lt;/strong&gt; - 9&amp;#8221; x 8&amp;#8221; - Mixed Media - 2008&lt;/span&gt;&lt;/p&gt;
&lt;p class="MsoNormal"&gt;&lt;span&gt;Artist Statement:&lt;br/&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="MsoNormal"&gt;&lt;span&gt;Fairy tales, legends, dreams and the surreal worlds they evoke have always been a part of the human experience; a way to make sense of our surroundings and explain our fears. As a child these captured my imagination, weaving themselves into the fabric of my personality. Because of this I am today a collector at heart, constantly collecting fragments of ideas and objects, each with their own little stories to tell. Combining them in different ways in assemblage pieces, they form new narratives and meanings.&lt;/span&gt;&lt;/p&gt;
&lt;p class="MsoNormal"&gt;&lt;span&gt;&lt;br/&gt;I create mixed-media works using paint, wood, papier-mâché, polymer&lt;br/&gt;clay, metal and found objects. They often feature Victorian era photographs I’ve collected over the years, finding that these, in of themselves, evoke imagined histories and feelings of nostalgia. Their serious and stern faces provide an ironic counterpoint to the humor and levity I try to inject into the work. Alternatively, my pieces make evident a playful fascination with all forms of iconography, creating alter-pieces for everyday life, making sacred of the mundane.&lt;/span&gt;&lt;/p&gt;
&lt;p class="MsoNormal"&gt;&lt;span&gt;&lt;br/&gt;In my latest work I’ve been attempting to combine these vernaculars – the ironic and the sacred – to tell a story about the disconnect between our private and public selves. That is, who we are is often at odds with what we project to others. What do we choose to reveal, conceal or fabricate? More importantly, I explore the toll exacted by this ‘duplicity:’ specifically the feelings of sorrow, resentment, anxiety and martyrdom it engenders.&lt;/span&gt;&lt;/p&gt;
&lt;p class="MsoNormal"&gt;&lt;span&gt;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&amp;#8212;&lt;/span&gt;&lt;/p&gt;
&lt;p class="MsoNormal"&gt;&lt;span&gt;&lt;img src="http://media.tumblr.com/tumblr_luvhbfSYR51r2apgs.jpg"/&gt;&lt;br/&gt;&lt;/span&gt;&lt;/p&gt;
&lt;/div&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;
&lt;p&gt;&lt;span&gt;&lt;strong&gt;&lt;em&gt;&lt;span&gt;&lt;strong&gt;&lt;em&gt;&lt;span&gt;&lt;strong&gt;&lt;em&gt;&lt;span&gt;&lt;strong&gt;&lt;em&gt;&lt;span&gt; &lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Karen Bell&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;&lt;strong&gt;Untitled&lt;/strong&gt; - Mixed Media on Paper - 12&amp;#8221; x 12&amp;#8221; - 2010&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Karin Bell explores the discourse that occurs between the work and the artist. By allowing paint to transform the surface of her canvas, she gives voice to it. From there, the dialogue begins: by adding, subtracting, scratching, and mark-making, the story reveals itself.&lt;br/&gt;As the dialogue between the work and the artist ensues, Bell builds on the integrity of this organically-driven approach to create a visual vocabulary that captures felt experience and speaks to universal truths.&lt;br/&gt;&lt;/span&gt;&lt;/p&gt;
&lt;/blockquote&gt;</description><link>http://galeriestlaurentplushill.tumblr.com/post/12978793933</link><guid>http://galeriestlaurentplushill.tumblr.com/post/12978793933</guid><pubDate>Fri, 18 Nov 2011 15:59:00 -0500</pubDate></item></channel></rss>

